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My version is identical to this listing except for the "320 ending" is missing on the side B runout and the rim text is German. The other listing with the German rim text has completely different matrix/runouts. Is there a mistake here? Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. In November 2012, the Who started a U.S. tour of Quadrophenia, dubbed " Quadrophenia and More". The group played the entire album without any guest singers or announcements with the then regular Who line-up (including Starkey and bassist Pino Palladino, who replaced Entwistle following his death in 2002) along with five additional musicians. The tour included additional video performances, including Moon singing "Bell Boy" from 1974 and Entwistle's bass solo in "5:15" from 2000.  After Starkey injured his wrist, session drummer Scott Devours replaced him for part of the tour with minimal rehearsal.    The tour progressed, with Devours drumming, to the UK in 2013, ending in a performance at Wembley Arena in July. 
Unterberger, Richie (2011). Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia. Jawbone Press. ISBN 978-1-906002-75-6. Kaye, Lenny (20 December 1973). "The Who Quadrophenia Album Review". Rolling Stone. Archived from the original on 18 February 2015 . Retrieved 11 February 2015.
Wolff, Sander (9 July 2013). "Scott Devours: From Here to the Who". Long Beach Post. Archived from the original on 27 June 2019 . Retrieved 27 June 2019.
The Who, 'Quadrophenia' – 500 Greatest Albums of All Time". Rolling Stone. Archived from the original on 19 February 2015 . Retrieved 10 February 2015.The underlying idea here is contrast. Contrast between songs - "I'm One" is 100% acoustic calm, while "5:15" is powered by bombastic brass, and "The Real Me" starts the album off in a most perfectly chaotic way. Contrast also happens inside the songs - between Roger's bold, strong voice and Pete's soft, heartfelt vocals. This contrast reflects Jimmy's internal conflict, the different voices in his head. But through this point and counterpoint, album stays cohesive - while the story does require a little reading (there is not much "dialogue"), the revisiting of themes keep it familiar. Tommy and Quadrophenia: Live". AllMusic. Archived from the original on 29 July 2014 . Retrieved 9 February 2015. The film caused a brief revival of Mod music and styles at the end of the 70s, but one element of the story that’s not so clear to anyone who’s only watched the film is: what does that title mean? The film doesn’t elaborated, but the explanation is buried in the sleevenotes to the original album.
Graff, Gary (11 November 2011). "Pete Townshend on 'Quadrophenia,' The Who's 'Last Great Album' ". Billboard. Archived from the original on 13 September 2014 . Retrieved 28 January 2015. Perrone, Pierre (24 January 2008). "The worst gigs of all time". Archived from the original on 25 January 2014 . Retrieved 26 January 2015.Assistant Engineers: Pete Wandless at C.T.S Wembley and Chris 'Butch' Yates at Ramport Studios, Battersea Quadrophenia – The Who – MCA #6895". AllMusic. Archived from the original on 15 July 2017 . Retrieved 26 January 2015.